Teaching-Type is the teaching portal of Kelsey Elder; an Assistant Professor of  design at Carnegie Mellon University


Examples of Student Work
Graduate Elective 1, “Variable”
↗︎ Syllabus
William Sumrall
Type/Programming
BFA

Tesselate

Benjamin Denzer   
Type/Programming
MFA

Scanned Times

Harshal Duddalwar
Type/Programming
MFA

Alankar

Kit Son Lee
Type/Programming
MFA

Phraktur Leet

Zach Scheinfeld
Type/Programming
MFA

Pixel Land


Experience Design (XD)
↗︎ Syllabus
Daphne Hsu
Experience/Community
MFA

Video Chat Compositions

Ryan Diaz
Experience/Community
MFA

Saying Yes


Design Studio 3, junior-level core studio
↗︎ Syllabus

Quinn Lockwood
Video/Animation
BFA

Switch

Eleanor Ryan
Video/Animation
BFA

Old Friends Become New


RISD Graphic Design Senior Show 2021
↗︎ Website
Team
Identity/Curation/Web
BFA

Points of Inflection


Graduate Thesis Advising
↗︎ Website
Ryan Diaz
Main Advisor
2021

Community, Harana, & Karaoke



↗︎  About + Bio  
↗︎  Contact

Mark


Pixel Land


Zach Sheinfeld
(RISD MFA ‘23)


Through the culmitave projects in GE1, Zach combined methods of programatic form making with the narrative muse of Flatland; a fictional 2d narrative by Edwin Abbott Abbott, first published in 1884 as a commentary on the hierarchy of Victorian culture. 

Zach began by writing Python scrips that used mathematical functions to draw sets of ovals; each with a gradually changing radius and centerpoint values; which he printed on a pen plotter and animated to further explore (see below). Using Buckminster Fuller and mathematician Anthony Pugh as reference, Zach next explored how simple geometries are able to capture the transformation of 2d to 3d form. Finally, Zach drew three interpolating masters for each glyph (east, origin, west) to achieve an illusion of rotation in a variable font file.

Read more about Zach’s process : here.
Final website is viewable : here.

From Zach:
“Letterforms are typically flat silhouetted shapes outlined with bezier curves. Subverting this construct, Pixel Land is an attempt to use variable font technology, which enables many different variations of a typeface to be incorporated into a single file, as a way of exploring the possibility of conveying depth through letterforms.”






^ Pen Plotter tests shown above